Time in Rocky Mountain National Park by Ellen

Thoughts, stories and photography ramblings from trip coming soon. Until then, here are some photos:

Seeds of a Project by Ellen

There is something special about watching your child leave their footprints in the same place you left yours years ago. It's like stepping into a magical bubble where time past and time present exist simultaneously. I have slowly been exploring this with my camera. I hope to continue doing so and turn it into a cohesive project, to make something special for my daughter. These photos are from a roll of shot last night, at the pond behind my childhood home. TMAX 400 in TMAX developer: 

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Can A Photograph Steal Your Soul? by Ellen

noun \ˈsōl\: the spiritual part of a person that is believed to give life to the body and in many religions is believed to live forever. -merriam webster

Native Americans, along with a number of other cultures, held (and some still hold) the belief that a photograph can steal your soul, locking it up in an emulsion of silver halide crystals.  Pretty heavy stuff.  Many think the idea is plain silly, I know I sure did. But, when I stopped and thought about the basic principles of how film works in conjunction with the basic principles of quantum physics, I started to see the concept in a whole new light. Here's why:

Quantum physics states that all matter, broken down to its fundamental essence, is energy. From the computer you're reading this on, to the chair you're sitting on, to our bodies, it's all energy bouncing around, emitting vibrations at various frequencies. Laws of physics also tells us that energy can't be created or destroyed. It can, however, be transferred between objects or systems. For example, when you eat a piece of fruit, the energy in the fruit is transferred to your body.

The film. When you're shooting on film, the film is absorbing photons (light) emanating off the subject/scene. The film is physically reacting with the energy coming from the subject and that energy has literally been consumed as part of the chemical reaction. An energetic piece of the moment has physically been transferred to and is imbedded in the film.

If the film absorbs the light, and the light includes a piece of the person’s energy, is the film capturing their soul? I believe the energy is there, but I don’t believe it's imprisoned in the film. Quite the contrary, I believe the process proliferates the energy. I believe when others view the photo, the subject's energy is retransmitted in a continuation of the original physical reaction, amplified with each viewer’s own life force as they become part of the equation. 

A photograph doesn't steal your soul, it shares it and film does this in a uniquely beautiful,  connected and magical way. It's is one of the many reasons why I love and shoot film.


Halloween 2016 by Ellen

Shot on a Pentax 6x7ii, Ilford HP5+.  Also shot a roll of Kodak Portra (last shot). B&W to color is intentional, homage to the original movie.

Pentax 67II by Ellen

Last spring my Daughter's Preschool teacher kindly loaned me her Pentax 6x7 Medium Format Film Camera. I had never shot one before, was eager to try it. I had been shooting 6x6 for some time, was looking forward shooting in 4:5 ratio. The camera itself is huge and heavy, many refer to it as an SLR on steroids, a fitting descrption. I loaded it up with some Ilford HP5 Plus and went shooting with my daughter. Developed that roll and was blown away and obsessed with the camera and the quality of the images it made. 1st image below ("Sad Shooter") is from that 1st roll, that shot received a Mark of Excellence from an "I Shot It" Photo Competition. Thanks Pentax and Daughter's Teacher. With permission, I took the camera on a trip to CA (two color images below), returned it shortly after and pinned for one ever since.

This past Christmas, I received my own Pentax 67II. Last photo below (Big Girl Little Tree) shot with the new old camera two days ago. Looking forward to hauling it around and shooting it a lot in 2016.